Pinned hop

Names are important. Names are like nice-looking packages that might or might not correspond to their labels.

I think we should all ask ourselves “Am I being sold the wrong package here? What actually lies inside of it?”

noblogo.org/on-reflection/the-

Pinned hop

“Sextant” is an original composition for piano, double bass, timpani, and percussions. I wrote it on June 23 and 24, 2021.

The essence of the piece is given by the ostinato on bass, coupled with a reassembling of piano “blocks” of a partitioned leading theme, which cyclically repeats itself.

Such a series of 7/8 music quantums is followed by a second theme, in 6/8. Said theme is first played by piano and percussions; then, again, slightly variated, by contrabass, piano, and percussions.

Then, the first theme enters again, with a new reassembling, which then drives the track to its conclusion.

“Sextant” is available on , here:

eidon.bandcamp.com/track/sexta

A video is available on youtube, here:

youtu.be/r0if_qNbKGk

The video features pictures that I took at the St. Hubert's Galleries in Brussels and at the Hortus Botanicus Lovaniensis (the Botanical Garden of Leuven), Belgium.

More information and pictures are available on my Noblogo, here:

noblogo.org/eidon/sextant

If you like this music, and if you would like to support me, then follow me on Bandcamp or download my compositions from it.

Music and pictures by and © Eidon — All rights reserved.

栄屯 boosted
栄屯 boosted
栄屯 boosted
栄屯 boosted
栄屯 boosted

Vi.Be is a Belgian platform that supports local composers and bands. I also have a page there. A short self-introduction and a selection of tracks and videos is available.

栄屯 boosted
栄屯 boosted
栄屯 boosted
栄屯 boosted
栄屯 boosted

"Iyashi (癒し) means healing, and the term "iyashikei" refers to #anime and #manga that "heal" the audience by instilling a calming feeling or evoking emotional carthasis. Almost always, Iyashikei stories have peaceful, somewhat mundane, and nostalgic atmospheres. The settings are idyllic with little or no conflict, and the narratives focus on personal reflection, heartwarming moments, a vague sense of melancholy, and/or an appreciation for the small things in life."

myanimelist.net/anime/genre/63

栄屯 boosted

On A Runaway Train is a piece in 10/8 that I wrote during the nights of April 28-30, 2022. It is (c) Eidon (Eidon@tutanota.com) — All rights reserved.

Here I used two Turkish instruments: Kanuni and Ud, on top of which I layered Contrabass, Piano, Percussions, and Electric Guitar (the latter is played by me.)

Video is “Ride on a Runaway Train”, by Lyman H. Howe (1921).

The piece is available on Bandcamp.

An alternate take, for Piano, Vibraphone, and Percussions is also available there.

If you like this music, subscribe to my #bandcamp via this link: you will be notified each time I post a new track! Thank you very much!

栄屯 boosted

What I really like about the fediverse is that I can use one interface to rule them all. No other social media platform has this kind of integration.

栄屯 boosted
栄屯 boosted
栄屯 boosted
栄屯 boosted
栄屯 boosted
栄屯 boosted

A little shameless self-promotion 😅

IkLuisterBelgisch is a campaign for finding Belgian talents, which selected me in 2020 as a promising new composer. Roel Vergauwen, one of the selectors for the Rock Werchter festival, chose one of my tracks, “Fediverse”.

If you like my music, please follow me on #bandcamp and youtube!

栄屯 boosted

This is “Vincent,” a little exercise for acoustic bass that I wrote between March 30 and April 7, 2022. I’m rather happy with the theme. Much less with the improvisations I put together with it. The worst is probably the mixing.

Anyway, that’s it.

Also available in lossless format here, and on youtube.

Music and picture (c) Eidon (eidon at tutanota.com). All rights reserved.

#music #originalMusic #bass #Eidon

Show older
koyu.space

The social network of the future: No ads, no corporate surveillance, ethical design, and decentralization! Own your data with koyu.space!